The Reverso in Gold: A Different Kind of Sports Watch


DESIGN ICONS

Pink-gold Jaeger-LeCoultre Reverso on a Milanese bracelet worn with a brown shirt
The pink-gold Reverso Tribute on its Milanese bracelet. © Jaeger-LeCoultre. All rights reserved.

Gold brings out a side of the Reverso that steel can keep in reserve. Its geometry becomes warmer, the bracelet begins to resemble fabric, and a watch born around protection starts to feel like an object made for the pleasure of wearing it.

The Reverso Tribute Monoface Small Seconds pictured here is reference Q713216J, introduced in 2025. An 18k pink-gold case meets a matching Milanese bracelet and a golden, grained dial. It is an unusually complete treatment: the eye moves from bracelet to case to dial without a sudden change in colour.

The idea underneath the elegance

The Reverso’s origin is more practical than this appearance suggests. Jaeger-LeCoultre traces the project to a challenge posed by polo players in British India in 1930. The solution was a watch case that could turn over within its support, placing metal outward to protect the glass. René-Alfred Chauvot filed the relevant French patent in March 1931; the first deliveries followed that year.

The important design decision was to make that movement of the case part of the object’s identity. Even when its sporting purpose recedes, the gesture remains understandable. Slide, turn, settle. It is a small piece of mechanical theatre that does not require an explanation of the movement inside.

Jaeger-LeCoultre Reverso Tribute Monoface Small Seconds in pink gold with a golden grained dial
Reference Q713216J: a golden grained dial within the familiar Reverso frame. © Jaeger-LeCoultre. All rights reserved.

A bracelet that changes the silhouette

In this interpretation, the Milanese weave changes how the rectangle meets the wrist. The bracelet has a fine, repeated texture, while the case supplies the larger architectural lines. The dial’s grain creates a third scale of detail. Together, these surfaces keep an almost monochrome watch visually active.

It is worth looking at the photograph before reading the specifications. The small-seconds circle softens the rectangular composition. The hands and applied markers catch the light. Gold occupies most of the frame, but the differences between those surfaces stop it from becoming a single flat field.

Watchmaking work on components of the pink-gold Reverso Tribute
Case and movement work shown in the manufacture’s official photography. © Jaeger-LeCoultre. All rights reserved.

Enough mechanics to make the ritual matter

The hand-wound Calibre 822 provides a stated 42-hour reserve. The case measures 45.6 by 27.4 mm and is 7.56 mm thick. Those are dimensions to consider as a whole: a rectangular watch cannot be meaningfully judged by comparing its width alone with the diameter of a round watch.

Winding by hand suits the idea of this Reverso. The owner already interacts with the turning case; the crown adds another deliberate moment of contact. Whether that is a pleasure or an inconvenience depends on the person wearing it. A beautiful watch still has to fit a real routine.

A shape with room to evolve

The gold version makes the strength of the underlying design especially clear. Change the material and the bracelet, and the mood shifts dramatically. The identity survives because it is carried by the case architecture.

For us, that is the reason to keep returning to the Reverso. Its history helps explain the object, but the object remains compelling without a history lesson. The pleasure is there in the shape, the surfaces and the simple act of turning it over.

Sources: Jaeger-LeCoultre, The Genesis of Reverso and the 2025 Q713216J introduction. All photographs © Jaeger-LeCoultre, reproduced for editorial coverage under its media-centre terms. Design commentary based on official materials; no hands-on testing is claimed.

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